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 MrspetloverUS 
Joined: December 2006
Posts: 14
Location: Sunny Southern California
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 Re: Mukesh Chand Mathur
Thanks a bunch to Sur and Surtaal ki jodi for wonderful posts and uploading songs for me specially. Cant thank u enough. 
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#16 19 Dec 2006 01:21
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 surtaal 
Site Admin
Joined: November 2006
Posts: 484
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Re: Mukesh Chand Mathur
Thanks a bunch to Sur and Surtaal ki jodi for wonderful posts and uploading songs for me specially. Cant thank u enough.
Thanks Didi....This is just a start....We will son rock this place...Now that the editor is working...
____________ " Without music, life is a journey through a desert. - Pat Conroy"
"There is no delight in owning anything unshared." Seneca [Roman philosopher]
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#17 19 Dec 2006 21:04
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surtaal
Site Admin
Joined: November 2006
Posts: 484
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Re: Mukesh Chand Mathur
Dukh Sukh (1942) | This is the Second film of Mukesh as Hero & Singer. " Ab Der Na Kar Sajan" & "Mori Atariya Par Aaja " two duets Mukesh sang with sitara in the film. Starring:
Mukesh, Pratima Devi, Rama Shukul, Sitara, Vasanti.
Credits:
Production :Ranjeet
Director :Ram Daryani
Music Director : Khem Chandra Prakash
Lyricists : Vali Sahab
Co. Singers : Sitara
Audio: H.M.V. (EMI) | | 
Still of Dukh Sukh
(1942)
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 | Aadab Arz (1943) | In this film Mukesh played a character from a rich family who married gardener's daughter in the end. Based on Urdu culture Mukesh played a Muslim role. Starring:
Mukesh, Anand Prasad, Dulari, Kamala Chatarji, Karan Diwan, Nalini Jayvant
Credits:
Production :Amar Pictures
Director :Virendr C. Desai
Music Director : Gyan Dutt
Lyricists :
Co. Singers :
Audio : H.M.V. | | Aah (1953) | Mukesh played a guest role in Raj Kapoor's Film Aah. He played a gadiwan role who carried hero (Raj Kapoor). Singing a beautiful song "Choti si Ye Zindagani re" on their lips. Starring:
Bhoopen Kapoor, Leela Mishra, Mukesh, Nargis, Pran, Raj Kapoor,
Ramesh Sinha, Vijay Laxmi.
Credits:
Production :R.K. Films
Director :Raja Navathe
Music Director : Shankar - Jai Kishan
Lyricists : Hasrat Jaipuri, Shailendra .
Co. Singer : Lata Mangeskar
Audio : H.M.V.(EMI) | |
Mashuqa (1953) | Mashuqa was Suraiya - Mukesh film and both were singer. So it was much musical film with beautiful songs. Starring:
Mukesh, Agha, Ameer Bai, Durga Khote, Kul Deep Kaur, Suraiya.
Credits:
Production :Chitrakar Prictures
Director :Shanti Kumar
Music Director : Roshan Lal
Lyricists : Qamar Jalalabadi, Shailendra .
Co. Singers : Suraiya, Kishore Kumar, Meena Kapoor.
Audio: H.M.V. (EMI)
Film Info. 30.1.53, Royal Opera House | | 
Still of Mashuqa
(1953)
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| Anuraag (1956) |
 Under "Mukesh films" banner Mukesh played many role in this film. He was an actor , singer , music director and co. producer too in this film. With two heroines and many sweet songs like "Kise Yaad Rakhu Kise Bhool Jaon" & "Pal Bhar Ki Pehchaan Mein Pardesi Sanam Se" this movie was triangle love story.
Starring:
Mukesh, Mridula, Pratima, Shiv Raj, Uma Devi, Usha Kiran.
Credits:
Production :Mukesh Films
Director :Madhu Sudan
Music Director : Mukesh
Lyricists : Indeevar, Kaifi Irfani .
Co. Singers : Shamshad Begam, Madhubala, Manna Dey, Lata Mangeshkar
Audio: H.M.V. (EMI)
Note: Mukesh produce Film " Malhar " (1951) with as hero Arjun & heroin Shammi under "Darling Film" . He also announce films " Jhute Bandhan " & " Bhairavi " but not complete. |
____________ " Without music, life is a journey through a desert. - Pat Conroy"
"There is no delight in owning anything unshared." Seneca [Roman philosopher]
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#18 19 Dec 2006 21:06
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surtaal
Site Admin
Joined: November 2006
Posts: 484
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Re: Mukesh Chand Mathur
Family Pictures...  | Mukesh With baby Nitin |
____________ " Without music, life is a journey through a desert. - Pat Conroy"
"There is no delight in owning anything unshared." Seneca [Roman philosopher]
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#19 19 Dec 2006 21:09
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surtaal
Site Admin
Joined: November 2006
Posts: 484
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Re: Mukesh Chand Mathur
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Celebrities Speak :  Anil Biswas ( Music Director )
| Ham aas lagaye baitthe hain... tum vaada karke bhool gaye... ya soorat aake dikha jao... ya keh do hamko yaad na kar... |  |
" Mukesh came to me," says Anil Biswas, "wanting to be second Kundanlal Saigal. He had just heard Naushad record in the voice of Saigal, 'jab dil hi toot gaya' for Shahjahan". So he studiedly cast him in the mould of K.L. Saigal through this song. "Having done that, and on proving a hit, I told Mukesh that we had both proved our point that we could do a Saigal. Now we had, I told him, to prove that Mukesh was Mukesh, the genuine product, not just an imitation of Sai- gal. I had myself cast Mukesh in the Saigal format, and now, I myself brought him out of it with 'jeevan sapna toot gaya', even getting him to sing, in his own distinct voice in the same Anokha Pyar, a snatch of 'yaad rakhna chaand taaron is suhani raat ko'." The raag was darbari, year 1945 and the song brought a still relatively unknown Mukesh to the altar of public fame. On his death in 1976, Anil Biswas said that he lost one of his sons. 
Noushad ( Music Director ) | Dil se mita ulfat ka nishaan... tujhse hamara pyaar kahan... pyaar ka naata tod yahin... geet adhoora chhod yahin... main bhi na gaaun tu bhi na ga... |  |
Was it then Anil Biswas who made Mukesh with "Anokha Pyar"? Biswas certainly put him through his first vocal steps, but then, in the very year in which he claims to have brought Mukesh out of his Saigal trance, Naushad argues that it was he who performed this feat on Dilip Kumar. This is how Naushad argues it came about. Mukesh, says Naushad, had a major drinking problem in his formative years as a singer. "One day," says Naushad, "I caught him drunk during the daytime in Kardar Studios. And I told him: 'Mukeshchand, you've already proved that you can do a Sai- gal. What is it you are now out to prove - that you can out-do Saigal in the matter of drinking too?'" The shot went home. From that point, Mukesh took a firm grip on himself. "He was in tears," says Naushad, "as I offered to demonstrate that he had a voice identifiably his own - that he didn't need to imitate Saigal, or any other singer, to prove his vocal credentials." Raj Kapoor ( Actor ) Ek Din Bik Jayega Mati Ke Mole.
Jag Mein Rah Jayenge, Pyare Tere Bol.
Duje Ke Hontho Ko Dekar Apne Geet...
Koi Nishani Chod, Phir Duniya Se Gol...
Ek Din Bik Jayega... |  |
There was Mukesh - my soul, my voice, I was a mere body. It was he who sang to the hearts of the people all over the world, not me. Raj Kapoor was an image, just a carcass of flesh and bones. When he died, it was destroyed. I felt, there goes my breath, there goes my soul. I know what went away from me. There was a void, a vacuum and then I had to get over it and go on. This is the price an artist pays. Long Live Mukesh - Long Live His Sangeet. Lata Mangeshkar ( Co. Singer ) | Hothon pe sachchai rahti hai.... jahan dil mein safai rahti hai.... hum us desh ke washi hain... hum us desh ke washi hain.... jis desh mein ganga bahti hai.... |  |
To millions of his fans around the globe Mukesh was a singer of memorable film songs . To me he was much more ! one of the few whose I respected like an elder brother .
In an age when even a little success distorts a person's perspective , Mukesh , despite international fame , was a very humble man . He has left behind him memories of greatness , both as a human being and as a singer .
Singers sincere silent salute . Asha Bhonsle ( Co. Singer ) | Vo subah kabhi to aayegi... jab ambar jhoom ke nachega.... jab dharti naghme gayengi.... vo subah kabhi to aayegi.... |  |
I used to like him very much because his Hindi was excellent. It was very clear and his pronuncation was excellent. No one could match that. We are Maharashtrians and I think my Hindi has improved because of him. His voice had a speciality. He never imitated anyone, he was an original. Jaane kahan gaye woh din from Mera Naam Joker is one of his classics. Ram kare aisa ho jaye is also worth remembering. Mo. Rafi ( Co. Singer ) | Dil Ne Phir Yaad Kiya... |  |
" Once, while Rafi Sahab and Noushad Sahab were discussing a song, They were informed that Mukesh had breathed his last in America. Rafi Sahab was stunned. The only words which he uttered were:" Hai kitna achha gayak, kitna achha insaan, kitna pyaara saathi chala gaya ! " O. P. Naiyyar ( Music Dir. ) | Chal Akela Chal Akela... |  |
Mukesh is a handsome,well dressed,and well educated
man.He has pleasant manners.His style of singing is
distinctive and his own.After hearing him sing "Mein
tho ek kwab hoon"from "Himalay ki god mein" tuned by
Kalyanji and Anandji,I went to a dealer's and
purchased the record.It is my strong belief that no
othersinger can do justice to this song as Mukesh has
done.Moreover, I think it is the best song of 1965,
the best sung, best composed,and best written. |
____________ " Without music, life is a journey through a desert. - Pat Conroy"
"There is no delight in owning anything unshared." Seneca [Roman philosopher]
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#20 19 Dec 2006 21:09
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surtaal
Site Admin
Joined: November 2006
Posts: 484
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Re: Mukesh Chand Mathur
Mukesh & Co.Singers 
A rare photo of all the singers together in the early years of their singing careers ! ( front row) Zohra Jan, Rajkumari, Amirbai Karnatki, Hamida Banu, Geeta Dutt, Lata Mangeshkar, Meena Kapoor, (and standing behind) Sailesh Mukherjee, Talat Mahmood, Dilip Dholakia, Mohd. Rafi, Shiv Dayal Batish, G.M. Durrani, Kishore Kumar , and Mukesh.
Mukesh discussing with Talat and Lata
Kings of the music world - and close friends too !
Mohd.Rafi , Mukesh , Talat Mahmood
A rare photo at picnic all the singers together in the early years of their singing careers !
Lata Mangeshkar, Meena Kapoor, Mohd. Rafi, Shiv Dayal Batish, G.M. Durrani, Kishore Kumar and Mukesh.
Mukesh (extreme right) with Begum Para, Meena Kumari & Talat Mahmood
( Participating in a charity show held in aid of Bengal Refugee Relief Fund ).
Mukesh with Talat Mahmood & Dilip Kumar
Mukesh with Mahmood, Meena Kumari & Talat Mahmood
Mohd.Rafi , Lata (center) and Mukesh (extreme right)
During recording of 'Ramaya Vastavayya' song in film Shree 420
Talat Mahmood, Mukesh, Lata & Rafi
Mukesh & Others - Rehearsing The Song
Film : "Jis Desh Mein Ganga Bahti Hai"
Kesto Mukharjee, Mukesh, Talat Mahmood, Sunil Dutt, Bisvajeet
Film : "Beewee Aur Makan"
Mukesh & Talat Mahmood : Friends Forever
Mukesh with Khalid , Talat Mahmood & Music Dir. C.K.Chauhan
Hanging Garden , Bombay
____________ " Without music, life is a journey through a desert. - Pat Conroy"
"There is no delight in owning anything unshared." Seneca [Roman philosopher]
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#21 19 Dec 2006 21:12
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surtaal
Site Admin
Joined: November 2006
Posts: 484
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Re: Mukesh Chand Mathur
 Impression and expression :
One of the classic true stories of musicdom concerns a top-notch classical vocalist, playback singer Mukesh and veteran music director Kalyanji. The singer was leaving the composer's music room after a sitting when the classical luminary entered for a social call. After Mukesh departed, this worthy told Kalyanjibhai, "Look at the irony! What does that man know about classical raag and sur? And he drives a Mercedes and I have to travel by bus!" Kalyanjibhai beckoned the man to sit next to him and asked him to sing Chandan sa badan chanchal chitwan along with the harmonium. The classical singer sang the line, with excessive  murki as per his training. Kalyanjibhai again explained to him the exact notes. Try as he might, the classical maestro could not get the requisite straight and heart-touching rendition needed for this Saraswatichandra classic. Gently, the composer drove home his point by telling him, Ab aap ko pataa chalaa ke woh Mercedes main kyoon ghoomte hain? (Do you now realise why he drives a Mercedes?) Mukesh was probably the least classically-accomplished among our master-singers, but he has an amazing 90 per cent success record among his songs. According to industry insiders, even K.L. Saigal, Mohammad Rafi and Kishore Kumar were far from highly-trained. -
- Music is an art first and a craft last, and emotional expression will always win over attempts at calculated impressions.
____________ " Without music, life is a journey through a desert. - Pat Conroy"
"There is no delight in owning anything unshared." Seneca [Roman philosopher]
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#22 19 Dec 2006 21:15
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surtaal
Site Admin
Joined: November 2006
Posts: 484
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Re: Mukesh Chand Mathur
 Important Dates : 
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 | 1923 - July 22 - Birth , Delhi | | 1940 - 1'st Recording With H.M.V. Delhi | | 1946 - Wedding With Saral Mukesh ( 22 July ) | | 1948 - Born 1'st Daughter Reeta ( 24th April ) | | 1950 - Born 1'st Son Nitin ( 27th June ) | | 1953 - Born 2'nd Daughter Nalini ( 25th June ) | | 1959 - 1'st Filmfare Award for film " Anari " | | 1961 - Born 2'nd Son Mohnish ( 4th November) | | 1962 - Concerts , London - England ( An Interview At B.B.C. ) | | 1966 - Born 3'rd Daughter Namrata ( 24th April ) | | 1967 - Mukesh-Shankar Jaikishan Concert , Nickerie, Surinam | | 1970 - Concert , Delhi | | 1970 - 2'nd Filmfare Award for film " Pehchaan" | | 1972 - Concert , Africa | | 1972 - Concert , Londan | | 1972 - Interview , B.B.C. | | 1972 - 3'rd Filmfare Award for film " Be-Iman " | | 1973 - Concert , Mauritius | | 1974 - National Award for film " Rajni Gandha " | | 1974 - Concert At Kalamandir Auditorium , Calcutta ( 19 July ) | | 1975 - Concert At Kalamandir Auditorium , Calcutta ( 23 October ) | | 1976 - U. S. A . - Canada Tour With Lata Mangeshkar & Nitin Mukesh | | 1976 - 27 August , Death Detroit | | | 1976 - 4'th Filmfare Award for film " Kabhi Kabhee " ( After Death ) |
____________ " Without music, life is a journey through a desert. - Pat Conroy"
"There is no delight in owning anything unshared." Seneca [Roman philosopher]
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#23 19 Dec 2006 21:17
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surtaal
Site Admin
Joined: November 2006
Posts: 484
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Re: Mukesh Chand Mathur
An article...
MUKESH : The legend
EK DIN BEEK JAYEGA
MAATI KE MOL
JAG ME RAHE JAYENGE
YAARE TERE BOL
Mukesh Chandra Mathur was born on 22nd July, 1923, in a small middle class
family in Delhi. He was interested in acting and singing right from childhood
and was a great fan and admirer of Kundan Lal Saigal.
In spite of the fact that he only studied till the 10th grade (metric exam),
he was able to obtain a good job as an assistant surveyor in the department
of public works, where he worked for seven months.
However fate had other plans for him. His younger brother parmeshwaridas
recalls that in 1940 Mukesh had recorded some non filmi songs in Delhi.
Then, Mukesh like scores of other young people before and after him,
arrived in Bombay with the hope of becoming a movie star. He stayed with
his relative who was the famous actor Motilal.
With Motilal's help, Mukesh got a role as an actor in the film
'Nirdosh' (1941). Then in 1941-42 he acted in the films 'Dukh-Sukh' and
'Aadab Arz'. He also acted in some other films that did not complete.
Years later, he was to act again in the film 'Aah' (1953).
His debut as a singer came in the film 'Nirdosh'. The song was "Dil hi
buja hua ho to...". Then in 1944 he followed with a duet with singer
Kusum for the film 'Us paar'. The song was "Jara boli ri ho...". In
1945 he sang with Khursheed "Badariya baras gayi us paar..." for the
film 'Murti'. By this time he had established a small place for himself
in the hearts of his audience.
Then came an important mile-stone in his life. The year was 1945 and Anil
Biswas asked him to record a song for the film 'Pehli Nazar'. The raag was
darbari and the song "Dil jalta hai to jalne de..." brought a still
relatively unknown Mukesh to the altar of public fame.
A legend was born and in the coming decades the golden voice of this young
22 year lad would be heard across the entire nation and spread far beyond
its boundaries.
By 1948, the streets of the sub continent were humming with his songs from
Aag, Anokhi Ada, Mela, Veena, Vidha.
In 1949, came another mile-stone in his life. In the studios of the great
actor Prithviraj Kapoor (the father of Raj, Shashi and Shammi Kapoor) there
were two young musicians shanker and Jaikishen. The young Raj Kapoor asked
them to provide music for his own films. Shanker-Jaikishen asked Mukesh to
sing for them and the films 'Aawara' and 'Shree 420' spread the voice of
Mukesh all the way to Russia where in the streets of Moscow you could hear
people singing "Aawara hoon..." and "Mera joota hai japani...".
Raj Kapoor who was a successful commercial film producer knew that the success
of a hindi film was influenced by the quality of it's songs. Besides he also
had a personal interest in music. He would review every tune with Shanker
or Jaikishen and his personal approval was needed before a tune was selected
for final recording. Raj Kapoor was present at the studio during the
recording of all his songs, personally cheering the orchestra. The result
of such dedication can be seen years later when every new generation freshly
discovers the gems that lie embedded on the sound-tracks of such movies as Aah,
Aawara, Barsaat, Shree 420, Anadi, Jis desh me ganga behti hai, sangam, Mera
Naam Joker and many more. With the success of Raj Kapoor was intertwined the
success of Mukesh.
Among the other recent music directors for whom Mukesh sang a good number of
his songs were Laxmikant Payrelal, Kalyanji Anandji, Salil Chowdhury, Usha
Khanna.
S.D. Burman who was a true professional would not typically use a singer if
his voice did not match the actor in the movie. However on occasions when he
needed a singer for a song that was to play in the background he did not
hesitate to turn to Mukesh. Two such occasions are "Chalri sajni ab kya
soche..." and "O Jane wale ho sake to laut ke aana...". from 'Bombai ka Babu'
and 'Bandini'. He also had a Mukesh song in the film 'Barud' and 'Dr Vidha'.
His son R.D. Burman used the voice of Mukesh in the following films,
Challia (new), Chandi Sona, Dharam Karam, Phir Kab Milogi, Hangama, Teesra
Kaun, Raja Rani, Karma, Kati Patang, Mukti, Naukri.
O.P Nayyar amongst all music directors had the lowest personal opinion of
Mukesh. He could not understand the appeal of Mukesh. On one occassion he
experimented with Mukesh when he asked him to sing for the film 'Sambandh'.
As was the custom in those days the songs of the film started playing on
the radio before the film was released. As the song "Chal akela Chal akela.."
was heard, post cards with requests started pouring in at the local radio
stations and the song went on to become a hit. The popularity of this song
surprised O.P. Nayyar. He was not expecting it. This went on to become the
only popular and hit song from 'Sambandh' even when the movie had some other
good songs. Other films in which O.P. Nayyar had a Mukesh song were
Ek Baar Muskurado, Miss Coca Cola.
Another music director was Khaiyyam. The lyrics of Khwaja Ahmed Abbas,
Khaiyyam's music and Mukesh's voice created some master pieces for the film
'Phir Subah Hogi'. Years later Khaiyyam was to bring back the voice of Mukesh
in the film 'Kabhie Kabhie'.
In 1965 he lend his voice for the film 'Choti choti baaten' based upon the
life story of Motilal. This was Motilals last film.
It was the songs that were based on the serious ragas darbari and yaman
that the dard of Mukesh's voice and the power of the raag itself came
together to produce some classic songs. An example would be the song
"Aasoon bhari hai ye jeevan ki rahe...." based on raag yaman.
In 1946 he had married a young gujarati girl Saral. This love marriage
had resulted in two boys, Nitin and Manish, and three girls, Rita, Nalini
and Nimitra.
In 1974 he received a National award for the song "Kahi baar yoon bhi dekha
hai..." sung in the film 'Rajinigandha' and the music director was Salil
Chowdhury.
Two years later on the 27th of August 1976, Mukesh died of a heart attack
in Detroit while on an American tour.
Ten years later in 1986, the citizens of Bombay erected a statue of Mukesh
near his residence where Napansea Road and Warden Road intersect. The
intersection was named Mukesh Chowk.
Today the statue still stands and around it on the street corners, paan shops,
small restaurants, apartments and the general hustle and bustle of Bombay
you can still hear the golden voice floating in the air from those countless
radios and cassette players.
KE MAR KE BHI KISI KO YAAD AAYENGE
KISI KE AASOON O ME MUSKURAYENGE
KAHE GA PHOOL HAR KALI SE BAAR BAAR
JINA ISI KA NAAM HAI
Jagat Mavani
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Mai bombai ka babu, Naam mera anjana
English school me gaon, Me hindustani gana
******************************************************************************
____________ " Without music, life is a journey through a desert. - Pat Conroy"
"There is no delight in owning anything unshared." Seneca [Roman philosopher]
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#24 19 Dec 2006 21:33
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sur
Joined: November 2006
Posts: 10619
Location: Virginia
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Re: Mukesh Chand Mathur
Romantic Songs of Mukesh 1. AB YAAD NA KAR BHOOL JA AE DIL LATA MANGESHKAR ANOKHA PYAR 1948
2. YAAD RAKHNA CHAND TARON IS SUHANI LATA MANGESHKAR ANOKHA PYAR 1948
3. YE PYAR KE BANTE YE SAFAR BHOOL ANOKHI ADA 1948
4. KYUN PHERI NAZAR,DEKHO TO IDHAR ANOKHI ADA 1948
5. TERE NAAJ UTHANE KO JI CHAHATA HAI SHAMSHAD BEGUM GRAHASTHI 1948
6. MAIN BHANWARA TO HAI PHOOL SHAMSHAD BEGUM MELA 1948
7. NA NA NA,TUM HUMPE HANSO NA LALITA DEULKAR MERA MUNNA 1948
8. EK TEER CHALANE WALE NE DIL LOOT SITARA KANPUR PUGREE 1948
9. GOKUL KI EK NAAR CHHABILI VEENA 1948
10. MERE SAPNO KI RANI RE VEENA
11. WO TEEKHE NAJRO SE MERE DIL PAR VEENA 1948
12. LAI KHUSI KI DUNIYA HANSTI SURAIYA VIDYA 1948
13. TU KAHE AGAR,TU KAHE AGAR ANDAZ 1949
14. HUM AAJ KAHEN DIL KHO BATHE ANDAZ 1949
15. PATLI KAMAR HAI TIRCHI NAJAR HAI BARSAAT 1949
16. BADRA KI CHHANV TARE NANHI NANHI SURAIYA LEKH 1949
17. YE KAFILA HAI PYAR KA CHALTA HI AASHA BHOSLE LEKH 1949
18. UNKI GALE MEIN AAYE HUM NAZARE 1949
19. TUMAHRE LIYE HUE BADNAM SHAMSHAD BEGUM SHABNAM 1949
20. TU MAHAL MEIN RAHNE WALI MAIN SHAMSHAD BEGUM SHABNAM 1949
21. PYAR MEN TUMNE DHOKHA SEEKHA SHAMSHAD BEGUM SHABNAM 1949
22. DIL DO NAINO MEIN KHO GAYA SURENDRA KAUR SUNHERE DIN 1949
23. MAINE DEKHI JAG KI REET (HAPPY) SHAMSHAD BEGUM SUNHERE DIN 1949
24. BOLO BOLO SAJAN,SAJAN BOLO RAJKUMARI THES 1949
25. HUMSE NAIN MILANA B.A. PASS KARKE SHAMSHAD BEGUM ANKHEN 1950
26. O KAALE KAALE BADAL CHHAYE PIYA SHAMSHAD BEGUM APNI CHAAYA 1950
27. KHAYALON MEIN KISI KE IS TARAH GEETA ROY BAWARE NAIN 1950
28. MUJHE SACH SACH BATA DO RAJKUMARI BAWARE NAIN 1950
29. YE MASTI YE MAUJE YE THANDI G.M.DURANI HANSTE AANSU 1950
30. MAIN HOON PIYA NADIYA TUM HO JOHRA BAI PREET KA GEET 1950
31. DO DILO KE MIL JANE KA YE RAJMUKUT 1950
32. DEKH KE TERI MAYA PRABHU MERA RAM DARSHAN 1950
33. HE PRIYE TUMHARE SWAGAT KO RAM DARSHAN 1950
34. MANWA MEIN PYAR DOLE SARA SANSAR JOHRA BAI SARTAJ 1950
35. DUM BHAR JO UDHAR MUNH FERE LATA MANGESHKAR AAWARA 1951
36. AE DIL NA MUJHSE CHHUPA SACH BADAL 1951
37. KAHE NAINO MEIN KAJRA BHARO LATA MANGESHKAR BADI BAHU 1951
38. PYAR KI RAH PAR KYA BHATKNE KA LATA MANGESHKAR BADI BAHU 1951
39. APNI NAJAR SE UNKI NAJAR TAK HUM LOG 1951
40. EK BAAR AGAR TU KAH DE LATA MANGESHKAR MALHAR 1951
41. BADE ARMANO SE RAKHA HAI BALAM LATA MANGESHKAR MALHAR 1951
42. MUST CHANDNI JHOOM RAHI HAI GEETA ROY PYAR KE BAATEN 1951
43. HAN SS BHOR BHYI EK PARI GAGAN MAMTA 1952
44. SAPNO MEIN AANA CHHED CHHED JANA LATA MANGESHKAR SHISHAM 1952
45. JANE NA NAJAR PEHCHANE JIGAR LATA MANGESHKAR AAH 1953
46. DEKHO JI DEKHO EK BAR IS TARF LATA MANGESHKAR AAS 1953
47. SAB SHIQVE MITE DIL KE AAPAS MADHU BALA JHAVERE KHAEBAR 1954
48. JHUKA JHUKA KE NIGAHE MILAYE AASHA BHOSLE MISS COCA COLA 1955
49. ICHAK DANA BICHAK DANA LATA MANGESHKAR,RAJ KAPOOR SHRI 420 1955
50. PAL BHAR KI HE PAHCHAN MEIN ANURAAG 1956
51. JIS DIN SE MELE TUM HUM LATA MANGESHKAR LALKAR 1956
52. YE WADA KARO CHAND KE SAMNE LATA MANGESHKAR RAJ HATH 1956
53. GORI CHORI CHORI JANA BURI BAAT EK JHALAK 1957
54. YE HANSTA HUA QARANVA ZINDGI KA MISS J.B.BHASANIYA EK JHALAK 1957
55. BADALON KI PALQI...DIL HAIN BEQARAR LATA MANGESHKAR JALTINISHANI 1957
56. KYA SAATH MERA DOGE TUM PYAR LATA MANGESHKAR SAMUNDAR 1957
57. DIL TADAP TADAP KE KAH RAHA AA LATA MANGESHKAR MADHUMATI 1958
58. PHIR NA QIJE MERI GUSTAKH KA GILA AASHA BHOSLE PHIR SUBAH HOGI 1958
59. WOH CHAND CHAMKA VO NUR CHHALKA LATA MANGESHKAR SON OF SINDBAD 1958
60. DIL KI NAJAR SE NAJARO KI DIL SE LATA MANGESHKAR ANARI 1959
61. WOH CHAND KHILA VO TAARE HANSE LATA MANGESHKAR ANARI 1959
62. EK RAAT MEIN DO DO CHAND KHILE LATA MANGESHKAR BARKHA 1959
63. NAINA HAIN JADU BHARE O GORI TERE BEDARD ZAMANA KYA JANE 1959
64. KAHO AAKE BAHAR KARE MERA AASHA BHOSLE CHALIS DIN 1959
65. TUM MUJHE BHUL BHI JAAU TO SUDHA MALHOTRA DIDI 1959
66. TUM CHAL RAHE HO HUM CHAL RAHE LATA MANGESHKAR DUNIYA NA MANE 1959
67. YE SHAMA YE KHUSI KUCHH BOLO JI LATA MANGESHKAR GHAR GHAR KE BAAT 1959
68. TUM SE KUCHH KAHNA HAI LATA MANGESHKAR GUEST HOUSE 1959
69. NE BALEYE RUT HAI BAHAR KI LATA MANGESHKAR,CHORUS KANHAIYA 1959
70. RUK JA O JANE WALI RUK JA KANHAIYA 1959
71. KISI KA DIL CHURA LENA BADI KHOOBSURAT DHOKHA 1959
72. YE JAWANI YE HANSI RAAT KHUDA KHOOBSURAT DHOKHA 1959
73. DIL LUTNE WALE JADUGAR AB LATA MANGESHKAR MADARI 1959
74. ZAMI PE CHANDINI KA NOOR LATA MANGESHKAR MADARI 1959
75. KISI NARGISHI NAJAR KO DIL MAIN NASHE MEIN HUN 1959
76. NAZAR NAZAR SE HO RAHI HAI LATA MANGESHKAR MAIN NASHE MEIN HUN 1959
77. DIL NE USE MAAN LIYA JISKA SANTAAN 1959
78. DUNIYA WALO SE DOOR JALNE WALO LATA MANGESHKAR UJALA 1959
79. TUMSE HI MERE ZINDGI MERI BAHAR GEETA DUTT APNA GHAR 1960
80. CHANDA RE MORI PATIYA LEJA LATA MANGESHKAR BANJARIN 1960
81. DIL TUNE DIYA DIL MAINE LIYA GEETA DUTT BANJARIN 1960
82. DEKHIYE YUN NA SARMAYEGA USHA KHANNA BINDIYA 1960
83. TERE MAN MERA MAN MELE PREET LATA MANGESHKAR CHANDRA MUKHI 1960
84. NAIN KA CHAIN CHURA KAR LE GAYI CHANDRA MUKHI 1960
85. MERE JAAN KUCHH BHI KIJIYE LATA MANGESHKAR CHHALIA 1960
86. YE VADA KARE HUM JAHAN LATA MANGESHKAR DIL BHI TERA HUM BHI TERE 1960
87. MILTE MILTE MIL HI GAYE LATA MANGESHKAR DO AADAMI 1960
88. MAUSAM SUHANA HAI DUR KAHI GEETA DUTT DR.SHAITAN 1960
89. AANKHO MEIN RANG KYON AAYA LATA MANGESHKAR EK PHOOL CHAAR KANTE 1960
90. SAMBHAL KE KARNA JO KARNA EK PHOOL CHAAR KANTE 1960
91. NAZRON SE AAJ DIL MEIN SAMANE LATA MANGESHKAR GAMBLER 1960
92. CHHUO NA CHHUO NA ALBALE MERE SAVITA BANARJI HONEYMOON 1960
93. MERE KHWABON MEIN KHAYALO MEIN LATA MANGESHKAR HONEYMOON 1960
94. NILI NILI GHATA O BHIGI BHIGI AASHA BHOSLE HUM HINDUSTANI 1960
95. RAAT NIKHARI HUI JULF BIKHRI HUM HINDUSTANI 1960
96. BEGANI SHADI MEIN LATA MANGESHKAR JIS DESH MEIN GANGA B..H. 1960
97. DUR PE AAYE HAI KASAM LE LOVE IN SIMLA 1960
98. BAHARON SE PUCHHO MERE SUMAN KALYANPUR MERA GHAR MERE BACHCHAY 1960
99. CHALO CHALEN DIL LE CHALE JAHAN LATA MANGESHKAR MISS GOODNIGHT 1960
100. JAHAN TU TU TU,WAHAN MAIN MAIN MUD MUD KE NA DEKH 1960
101. HASIN HO KHUDA TO NAHI HO MUD MUD KE NA DEKH 1960
102. TERI SOKH NAZAR KA ISARA LATA MANGESHKAR PATANG 1960
103. LAGI TUMSE LAGAN SATHI CHHUTE NA LATA MANGESHKAR SARANGA 1960
104. O BEEN WALE,TEEN SUR LATA MANGESHKAR SINHALDWEEP KI SUNDARI 1960
105. THANE KAJALIYA BANA LOON LATA MANGESHKAR VEER DURGA DAS 1960
106. TUM RUTHI RAHO MAIN MANATA LATA MANGESHKAR AAS KAPANCHHI 1961
107. CHADE CHANDA TO TUM BHI CHALE LATA MANGESHKAR APLAM CHAPLAM 1961
108. KAHAN UD CHALE HAIN MAN AASHA BHOSLE BHABHI KI CHUDIYAN 1961
109. DIL SE DIL KI DOOR BANDHE LATA MANGESHKAR CHHAYA 1961
110. MANO YA MANO,MERI ZINDAGI KI SUMAN KALYANPUR FIRST LOVE 1961
111. MUJHE MIL GAYI HAI MOHABAT FIRST LOVE 1961
112. GA DIWANE JHUM KE RAAT KI JULFE FLAT NO.9 1961
113. JAWAN MOHABAT HASIN AANKHON LATA HAMARI YAAD AAYEGI 1961
114. SOCHATA HOON YE KYA KIYA MAINE LATA HAMARI YAAD AAYEGI 1961
115. BAN KE CHAKORI GORI JHOOM JHOOM HUM MATWALE NAUJAWAN 1961
116. BEITE NAHI RAAT SANAM KARO KOI GEETA DUTT HUM MATWALE NAUJAWAN 1961
117. NAIN TUMHARE MAJEDAR O JANABE AASHA BHOSLE JUNGALI 1961
118. SATH HO TUM AUR RAAT JAWAN AASHA BHOSLE KANCH KI GUDIYA 1961
119. SUN MORE RASIYA SUN MAN BASIYA LATA MANGESHKAR MADAN MANJARI 1961
120. MAIN ABHI GAIR HOON MUJHKO ABHI AASHA BHOSLE MAIN AUR MERA BHAI 1961
121. MAIN JAANTI HOON TUM JHUTH LATA MANGESHKAR MEM DIDI 1961
122. KABHI INKAR KARTE HO KABHI MODERN GIRL 1961
123. YE MOUSAM RANGEEN SHAMA SUMAN KALYANPUR MODERN GIRL 1961
124. BIKHRA KE JULFE CHAMAN MEIN NA LATA MANGESHKAR NAZRANA 1961
125. MERE PECHHE EK DIWANA KUCHH AASHA BHOSLE NAZRANA 1961
126. SUNO JI EK BAAT TUM HAMARA DIL SUMAN KALYANPUR OMAR QAID 1961
127. DEKHO MAUSAM KYA BAHAR HAI LATA MANGESHKAR OPERA HOUSE 1961
128. NA MILTE HUM TO KAHO TUM LATA MANGESHKAR OPERA HOUSE 1961
129. PYAR KA SAGAR DEKHA HAI KISI KE AASHA BHOSLE PYAR KA SAGAR 1961
130. TERI NIGAHON NE HAMEN MAAR DALA LATA MANGESHKAR PYASE PANCHHI 1961
131. BADA KHUSNASEEB HAI JISE TU PYASE PANCHHI 1961
132. KYON JI AAKHIR KAUN HO TYM AASHA BHOSLE RESHMI ROOMAL 1961
133. EK MANJIL RAHI DO PHIR PYAR NA LATA MANGESHKAR SANJOG 1961
134. APNI ULFAT PE ZAMANE KA NA LATA MANGESHKAR SASURAL 1961
135. JANA,JANA TUMHARE PYAR MEIN SASURAL 1961
136. NAINO MEIN KYO AAN BASE DO LATA MANGESHKAR WARRANT 1961
137. MAHTAB TERA CHEHRA KIS KHAWAB MEIN LATA MANGESHKAR AASHIQ 1962
138. YE TO KAHO,YE TO KAHO KOUN HO TUM CHORUS AASHIQ 1962
139. VO TO JATE JATE HUMSE KHAFA ANKH MICHOULI 1962
140. SUNIYE TO JARA KAHAN RUUTH KE ANKH MICHOULI 1962
141. EK BAAT PUCHATA HOON USHA MANGESHKAR BANARASI THUG 1962
142. KHULI KHULI JULFO KO BANDH USHA MANGESHKAR BANARASI THUG 1962
143. SULJHAO NA ULJHI JULFO KO AASHA BHOSLE GIRLS HOSTEL 1962
144. IBTDAYE ISQ MAIN HUM LATA MANGESHKAR HARIYALI AUR RAASTA 1962
145. BOL MERI TAQDIR MEIN KYA HAI HARIYALI AUR RAASTA 1962
146. DOOR BAHUT AABADI SE ISQ KI LATA MANGESHKAR JHOOLA 1962
147. MAINE KAHA AJI MAINE KAHA LATA MANGESHKAR MAA BETA 1962
148. HUM BHI KHO GAYE HAIN DIL KAMAL BAROT MADAM ZORRO 1962
149. JAB SE HUM TUM BAHARON MEIN KAMAL BAROT MAIN SHADI KARNE CHALA 1962
150. AJI DEKHO JARA TO KYA MOUSAM LATA MANGESHKAR MAYA JAAL 1962
151. TERI VO CHAAL HAI KE TAUBA MEHANDI LAGI MERE HAATH 1962
152. AE MERI JANE WAFA MAINE DEKHA NEELI ANKHEN 1962
153. DO ANKHIYAN JHUKI JHUKI SI LATA MANGESHKAR PREM PATRA 1962
154. SAINYA CHHOOD DE BAINYA MERI LATA MANGESHKAR RAKHI 1962
155. NA JANE CHAND KAISA HOGA KAMAL BAROT ROCKET GIRL 1962
156. HUM TUM YE KHOI KHOI RAAHEN LATA MANGESHKAR RUNGOLI 1962
157. MAIN KHUS NASEEB HUN MUJHKO LATA MANGESHKAR TOWER HOUSE 1962
158. SOCHA THA PYAR HUM NA KARENGE BLUFF MASTER 1963
159. NAJAR KO SAMBHALO YE KYA HO SUMAN KALYANPUR KOBRA GIRL 1963
160. JARA PEHCHANO TO HUN MAIN AASHA BHOSLE DEV KANYA 1963
161. GUSSE MEIN JO NIKHARA HAI DIL HITO HAI 1963
162. CHURA LE NA TUMKO YE MAUSAM SUMAN KALYANPUR DIL HI TO HAI 1963
163. TUM AGAR MUJHKO NA CHAHO TO DIL HI TO HAI 1963
164. TUMHARI MAST NAJAR GAR IDHAR LATA MANGESHKAR DIL HI TO HAI 1963
165. BHULE SE MOHABAT KAR BAITHA DIL HI TO HAI 1963
166. KUCHH SAIR SUNATA HOON MAIN EK DIL SAU AFSANE 1963
167. MAST NAJAR DEKH IDHAR HUM HAI EK DIL SAU AFSANE 1963
168. SUNO JI SUNO HAMARI BHI SUNO EK DIL SAU AFSANE 1963
169. AAJ YE AANCHAL MUKH KYON HOLIDAY IN BOMBAY 1963
170. THUMAK THUMAK MAT CHALO KAHIN PYAR NA HO JAYE 1963
171. JA JA JA CHHOOD DE O SUMAN KALYANPUR KAN KAN MEIN BHAGWAN 1963
172. CHORI CHORI JO TUMSE MILI LATA MANGESHKAR PARASMANI 1963
173. AA TUJHE PALKO MEIN CHHUPA LOON PATAL NAGRI 1963
174. CHAND AAHEN BHAREGA PHOOL DIL PHOOL BANE ANGAARE 1963
175. TUJHE CHAAND KAHUN YA PHOOL LATA MANGESHKAR SUNAHRI NAAGIN 1963
176. DUPPATE KI GIRAH MEIN BAANDH APNE HUE PARAYE 1964
177. MERI JAAN NA JULFE KHOLO KAHIN AWARA BADAL 1964
178. JARA SAMBHALNA MERI JAA APNI LATA,KAMAL BAROT AAYA TOOFAN 1964
179. TU LAKHO MEIN HAI EK SANAM BIRJU USTAD 1964
180. JUMME KI RAAT HO YA DIN JUMERAAT LATA MANGESHKAR DULHA DULHAN 1964
181. BANE TO BAN JAAYE JAMANA DUSMAN LATA MANGESHKAR DULHA DULHAN 1964
182. AA TU AA JARA DIL MEIN AA LATA MANGESHKAR PHOOLON KI SEJ 1964
183. O MEHBOOBA...O MEHBOOBA,TERE DIL KE SANGAM 1964
184. MERE MAN KI GANGA AUR TERE MAN VAJAYANTI MALA SANGAM 1964
185. TERI NIGAHON PE MAR MAR GAYE HUM SHABNAM 1964
186. KISI NE JADU KIYA MAIN KARUN KYA CHAANDAUR SURAJ 1965
187. GORI TERE CHALNE PE MERA DIL FAISLA + 1965
188. CHAND SI MEHBOOBA HO MERI HIMALAY KI GOD MEIN 1965
189. ANKHIYO KA NOOR HAI TU SUMAN KALYANPUR JOHAR MEHMOOD IN GOA 1965
190. DHEERE CHALO MERI BAANKI HIRANIYA JOHAR MEHMOOD IN GOA 1965
191. ITNA HUSNA PE HUZUR NA GURUR AASHA BHOSLE MOHBAT ISKO KAHTE HAI 1965
192. TUM ISKO KHEL..HUMSE HOTI JO MOHBAT ISKO KAHTE HAI 1965
193. DEKHTI HI RAHO AAJ DARPAN NA NAI UMAR KI NAI FASAL 1965
194. BAHARON THAM LO AB DIL MERA LATA MANGESHKAR NAMASTE JI 1965
195. BOLO JI BOLO KUCHH BOLO JI BOLO SUMAN KALYANPUR NISHAN 1965
196. TUM KAHAN LE CHALE HO SAJAN LATA MANGESHKAR POONAM KI RAAT 1965
197. SAPNO MEIN MERE KOI AAYE LATA,USHA MANGESHKAR POONAM KI RAAT 1965
198. GORI NAIN TUMHARE KYA KAHNE POORNIMA 1965
199. HUMSAFAR MERE HUMSAFAR PANKH TUM LATA MANGESHKAR POORNIMA 1965
200. PYAR KA FASANA BANA LE DIL LATA MANGESHKAR TEESARA KAUN 1965
201. AAJA BAAHON MEIN DIL KI SUMAN KALYANPUR ALIBABA AUR 40 CHOR 1966
202. TERA MERA PYAR KOI AAJ KAL KI USHA KHANNA DADA 1966
203. DO NAIN HAAY HAAY TERE DO NAIN USHA KHANNA DADA 1966
204. YE DIL HAI MOHABAT KA PYASA DIL NE PHIR YAAD KIYA 1966
205. LAGI HAI AAG...YE TUNE KYA KAHA AASHA BHOSLE INSAAF 1966
206. KAHTA HAI MERA DIL KI SANAM AASHA BHOSLE KUNWARI 1966
207. CHAND KO KYA MALOOM CAHATA HAI LAL BANGLA 1966
208. AE BAHARE ZINDAGI TUM MIL GAYI SUMAN KALYANPUR SHER E AFGAN 1966
209. GORE GORE CHAAND SE MUKH PAR ANITA 1967
210. CHALE JANA JARA THAIRO KISI KA SHARDA AROUND THE WORLD 1967
211. DIL LAGA KAR AAPSE PACHHTA RAHE AROUND THE WORLD 1967
212. HAAN MAINE BHI PYAR SUMAN KALYANPUR BOOND JO BAN GAYI MOTI 1967
213. KYUN JHUKI JHUKI HAI PALKEN LATA MANGESHKAR CHHAILA BABU 1967
214. AE SANAM JISNE TUJHE CHAND SI DIWANA 1967
215. TARON SE PYARE DIL KE ISHARE DIWANA 1967
216. TUMHARI BHI JAI JAI HAMARI BHI SAIYRA BANO DIWANA 1967
217. HUM TO TERE AASIQ HAIN SADIYON LATA MANGESHKAR FARZ 1967
218. KRISHAN AGAR TUM RADHA HOTE SUMAN KALYANPUR MERA NAAM JOHAR 1967
219. BOL GORI BOL TERA KAUN PIYA LATA MANGESHKAR,CHORUS MILAN 1967
220. HUM TUM YUG YUG SE YE GEET I LATA MANGESHKAR,CHORUS MILAN 1967
221. LONDAN PARIS GHOOM KE DEKHE USHA TIMOTHI PARIWAR 1967
222. TAUBA YE MATWALI CHAAL JHUK JAYE PATTHAR KE SANAM 1967
223. MEHBOOB MERE,MEHBOOB MERE LATA MANGESHKAR PATTHAR KE SANAM 1967
224. DIL SAMBHALE SAMBHALE SAMBHALTA LATA MANGESHKAR RAAZ 1967
225. JULFON KA RANGI SAYA HAI TAUBA ANJAAM 1968
226. DULHAN SE TUMHARA MILAN HOGA ANOKHI RAAT 1968
227. HUM SAFAR AB YE SAFAR KAT LATA MANGESHKAR JUARI 1968
228. QATIL HAI TERI HAR ADA LADY KILLER 1968
229. TUM PYAR SE DEKHO HUM PYAR SE SHARDA,CHORUS SAPNON KA SAUDAGAR 1968
230. CHANDAN SA BADAN CHANCHAL SARSWATI CHANDRA 1968
231. PHOOL TUMHE BHEJA HAI LATA MANGESHKAR SARSWATI CHANDRA 1968
232. MERA PYAR BHI TU HAI YE BAHAR I SUMAN KALYANPUR SAATHI 1968
233. HUSN-E-JAANA IDHAR AA AAINA HUN SAATHI 1968
234. HAAY BUJHO BUJHO,VO KAUN HAI VO LATA MANGESHKAR,CHORUS ANJAANA 1969
235. JANE NA JANE TU HI NA JANE BHAI BAHEN 1969
236. JE HUM TUM CHORI SE LATA MANGESHKAR DHARTI KAHE PUKAR KE 1969
237. DALENGE RANG DALENGE APNA LATA MANGESHKAR,CHORUS MERA DOST 1969
238. DIL MEIN EJI DIL MEIN KOI LATA MANGESHKAR MERI BHABHI 1969
239. MERA PREM HIMALAYA SE UNCHA PUJARIN 1969
240. MUSKRA KE HUM KO LUTA AAPNE AASHA BHOSLE VISHWAS 1969
241. LE CHAL,LE CHAL MERE JEWAN HEM LATA VISHWAS 1969
242. MOTI JAISA RANG ANG MEIN RAS KA AANSOO AUR MUSKAN 1970
243. MAIN TO HAR MOD PE (HAPPY) CHETNA 1970
244. TERE HONTHO KO TERI LALI KO DEDAAR 1970
245. SAJAYA NA KARO PHOOL BAALON GUNAHON KE RAASTE 1970
246. MERI TAMMANAO KI TAQDIR TUM HOLI AAI RE 1970
247. DEKH SAKTE NAHI TUM KO JI BHAR ILZAAM1 970
248. JIS GALI MEIN TERA GHAR NA HO KATI PATANG 1970
249. DAAG NA LAG JAAYE KAHIN AASHA BHOSLE,CHORUS MERA NAAM JOKER 1970
250. KISI RAAH MEIN KISI MOOD PAR LATA MANGESHKAR MERE HUM SAFAR 1970
251. ZIQRA HOTA HAI JUB QAYAMAT KA MY LOVE 1970
252. AAYA NA HUMKO PYAR JATANA SUMAN KALYANPUR PEHCHAN 1970
253. KOI JAB TUMHARA HRIDAY TOOD DE PURABAUR PASCHIM 1970
254. AE MERI JAA CHAND SA GORA AASHA BHOSLE PURSKAR 1970
255. NATIJA HAMARI MOHHBAT KA AASHA BHOSLE PURSKAR 1970
256. JO TUMKO HO PASAND WAHI BAAT SAFAR 1970
257. RUBI O RUBI JANE MAHBUBI LATA MANGESHKAR CHAHAT 1971
258. BAAT HAI EK BOOND SI DIL KE LATA MANGESHKAR JAL BIN MACHLI N.B.B. 1971
259. JALTI HAI DUNIYA USHA KHANNA,CHORUS JOHAR MEHMOOD IN HONG. 1971
260. TERE HONTHO KE DO PHOOL PYARE LATA MANGESHKAR PARAS 1971
261. DARPAN KO DEKHA TUNE JAB JAB UPASANA 1971
262. CHEHRE SE JARA AANCHAL JO AAP AASHA BHOSLE EK BAAR MUSKARA DO 1972
263. YE DIL LEKAR NAJRANA AA AASHA BHOSLE,CHORUS EK BAAR MUSKARA DO 1972
264. HO NAINA TERE NAINA BAAT BATATE LATA MANGESHKAR EK BECHARA 1972
265. DO KADAM TUM BHI CHALO LATA MANGESHKAR EK HASINA DO DIWANE 1972
266. DHERE DHERE BOL KOI SUN NA LE LATA MANGESHKAR GORA AUR KALA 1972
267. LE CHALO,LE CHALO AB KAHIN LE VANI JAIRAM MAAN JAIYE 1972
268. KAI SADIYON SE KAI JANMO SE MILAP 1972
269. EK PYAR KA NUGMA HAI LATA MANGESHKAR,CHORUS SHOR 1972
270. ZINDAGI MEIN AAP AAYE HO GAYI VANI JAIRAM CHHALIA 1973
271. O RE SAJANVA SAGAR MEIN CHANDRANI MUKHARJI PYASI NADI 1973
272. AASMA PE CHANDINI KA EK DARIYA LATA,RAJESH KHANNA RAJA RANI 1973
273. SHAAM DHALI...O MERE HUMRAHI THE RIGHT AND THE WRONG 1973
274. BARKHA RANI JARA JUM KE BARSO SABAK 1973
275. MAIN TUMSE PYAR KARTA HUN INSANIYAT 1974
276. KUB TAK CHHUPEGA AE JANE JANA NIRMAAN 1974
277. TERE MERE PYAR KI BUNDH GAYI KANCHAN PAAP AUR PUNYA 1974
278. KAHIN KARTI HOGI VO MERA INTZAAR LATA MANGESHKAR PHIR KAB MILOGI 1974
279. TUM MAHKTI JAWAN CHADINI HO PYASE DIL 1974
280. MAIN NA BHULONGA,MAIN NA LATA,CHORUS ROTI KAPADA AUR MAKAN 1974
281. BAAGON MEIN YE KAISE LATA MANGESHKAR CHUPKE CHUPKE 1975
282. KYA KHUB LAGTI HO BADI SUNDAR KANCHAN DHARMATMA 1975
283. TUMNE KABHI KISI SE PYAR KANCHAN,CHORUS DHARMATMA 1975
284. YAAD RAHEGA PYAR KA YE RANGEEN LATA MANGESHKAR OMAR QAID 1975
285. KAHA AAPKA YAHA...PHOOL AAHISTA LATA MANGESHKAR PREM KAHANI 1975
286. TUM HI TO HO JISKA SAPNA ROMEO IN SIKKIM 1975
287. CHAL SANYASI MANDIR MEIN LATA MANGESHKAR SANYASI 1975
288. BALI UMARIYA BHAJAN KARUN KAISE LATA MANGESHKAR SANYASI 1975
289. SUN BAAL BRUMHACHARI MAIN HOON LATA MANGESHKAR SANYASI 1975
290. KAHI SAAWAN...BHEEGI BHEEGI LATA MANGESHKAR SUNEHRA SANSAR 1975
291. WADIYON MEIN KHO JAAYE HUM AARTI MUKHARJI AARAMBH 1976
292. MUJHE DURD RAHTA HAI LATA MANGESHKAR DUS NUMBARI 1976
293. KABHI KABHIE MERE DIL MEIN I KABHI KABHIE 1976
294. PARI RE TU KAHAN KI PARI AASHA BHOSLE UDHARKA SINDOOR 1976
295. DEKH KE TUMKO DIL LATA,RAFI,KISHOR,CHORUS AMAR AKBAR ANTHONY 1977
296. CHAHE AAJ MUJHE NA PASAND KARO DARINDA 1977
297. CHANCHAL SHEETAL NIRMAL KOMAL CHORUS SATYAM SHIVAM SUNDRAM 1978
298. YE NA HOGA...HUM DONO MIL KE AASHA BHOSLE TUMHARI KASAM 1978
299. MERI DUNIYA KO BAHARON SE SAANJH KI BELA 1980
300. TUJHKO FURSAT SE VIDHATA NE HEM LATA AAROHI 1982
301. MERE MAN MEIN CHHUPI HAI EK BAAT BELA SAWER AAROHI 1982
302. GORA GORA MUKHADA YE TUNE BHOOL NA JANA
303. PUKARO MUJHE NAAM LE KAR BHOOL NA JANA
304. TU SABSE HASIN HAI DILRUBA RAMU TO DEEWANA HAI
305. NA KAJRE KI DHAAR NA MOTIYON
306. TUJH KO YUN DEKHA HAI CHAND GRAHAN 1999 ____________ "I am a dreamer,I collect all the smiles from My yesterday,
Neatly pack them into words and hide them in my heart,
I call them "MEMORIES" Music has no boundary.
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#25 04 Mar 2007 13:44
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sur
Joined: November 2006
Posts: 10619
Location: Virginia
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Re: Mukesh Chand Mathur
Mukesh |  No other singer was capable of projecting emotions in their raw, unfurnished state the way he could. His was a voice that could on one hand be deeply melancholic and on the other hand exude a profoundly innocent and mellifluous sweetness. Mukesh Chand MathurMotilal brought him to Bombay, kept him in his own house and arranged for Pandit Jaganath Prasad to groom him. Mukesh even did a Hindi Film during this period as hero, Nirdosh, 1941 but it flopped. His first break in films came in 1945 under the baton of Anil Biswas in the film "Pehla Nazar". The raag was Darbari and the song was "Dil jalta hai to jalne de", picturized on Motilal. Though a huge hit, admittedly it sounded as if the young man was just another K.L. Saigal imitator. It was under Naushad with Mela, 1948 and particularly Andaaz, 1949, that Mukesh finally discovered his own style. Andaaz, 1949 was a major triumph for Mukesh. Mukesh was a favourite of all music directors. He sang for almost all the great and not-so-great music directors of the yesteryears and produced masterpieces for them. But it was his partnership with the duo of Shankar-Jaikishen that produced the maximum number of hits. The inimitable team of Mukesh-Raj Kapoor-SJ-Shailendra-Hasrat Jaipuri were responsible for producing one memorable hit after another for almost two and a half decades starting from Barsaat in 1949. It is said the Mukesh-Raj Kapoor was an alliance made in heaven. The Mukesh-RK combination gave new dimensions to popular Hindi music. It flourished during a period which is often called the Golden Age of Hindi film music and the standards were raised to dizzying heights which were seldom touched before or thereafter. The partnership started with Aag, 1948 where Raj`s feelings of despondency and despair were vividly caught by Mukesh in Ram Ganguly`s composition Zinda hoon is tarah, and ended with R.D. Burman`s Ek din bik jayega in the film Dharam Karam. In its course was an endless list of hits figuring among them being the evergreen songs of Awaara and Shri 420, arguably the two films that brought the greatest international fame and glory to Indian music. From foot-tappers like Mera joota hai Japani, Shree 420 to satires like Kisi ki muskurahaton pe ho nissar, Anadi, from melancholy strains of Jaane Kahan gaye woh din, Mera Naam Joker to songs depicting the truth of life like Woh Subah kabhi to aayegi, Phie subah hogi, the emotions conveyed by the depth and intonation of the voice of this master-singer was unparalleled. Another music director who utilized Mukesh to the fullest was the great Salil Chowdhury. And it was this mutual admiration for each other`s music that led to evergreen hits like Suhana Safar, Madhumati, Nain Hamare, Annadata, Kahin door jab din dhal jaaye, Anand, Kai baar yun bhi dekha hai, Rajnigandha and of course the unforgettable Zindagi Khwab hai, Jaagte Raho". S.D. Burman was a true professional who would not typically use a singer, however talented he may be, if his voice did not match the situation in the movie. And Dada Burman would often turn only to Mukesh whenever he needed a song to be played in the background. Two such examples are Chal ri sajni and O Jaanewale ho sake to laut ke aana.  Mukesh also teamed up with Khayyam in Phir Subah Hogi. Sahir Ludhianvi`s lucid poetry combined with Khayyam`s scores to produce superb musical masterpieces. It fills one`s heart with hope, aspiration and longing as he listens to a soulful Mukesh in Woh subah kabhi to aayegi. Years later in 1976, few months before the death of the singer, Khayyam brought back the golden voice in Kabhie Kabhie to produce the unforgettable Kabhi Kabhi mere dil mein khayal aata hain and Main pal do pal ka shair hoon.
He was not proficient in classical numbers, but it was the innocence of his voice that made simple compositions stand out from the other. It was this simplicity that fills one`s eyes with tears as he listens to Sajanwa behri ho gaye hamar or Jaaoon kahan bata ei dil. O.P. Nayaar, it is said, did not think very highly about him. But even he was stunned by the popularity of his apparently simple composition of Chal akela chal akela. Unparalleled in tragic numbers, Mukesh was equally good in fun songs like Awaara Hoon, Mera joota hai Japani, Dum dum diga diga or Kehta hai Joker.  From Raj Kapoor to Amitabh Bachchan, from "Aag" to "Kabhi Kabhi", Mukesh came full circle. Yet Mukesh himself was never in search of a hero. He was an amazingly humble person, who would sing for any music director or any hero. He had the gift of transforming simple compositions into all-time greats as is seen in Sardar Malik`s Saaranga teri yaad mein.
In 1974, he received the National Award for the Kahin baar yun bhi dekha hai from Rajnigandha. His last song was Chanchal Sheetal Nirmal Komal from Satyam Shivam Sundaram in June 1976. Immediately after on 27th August, 1976, the great singer breathed his last of a sudden heart attack in Detroit, while on a tour of the U.S. |
____________ "I am a dreamer,I collect all the smiles from My yesterday,
Neatly pack them into words and hide them in my heart,
I call them "MEMORIES" Music has no boundary.
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#26 04 Mar 2007 14:09
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sur
Joined: November 2006
Posts: 10619
Location: Virginia
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Re: Mukesh Chand Mathur
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| Mukesh could have sing classical song too.. | It is 30 years since he passed away, leaving a void in the music world of Bollywood. Yet, Mukesh's mellifluous voice still casts a spell on listeners, emitting the fragrance of romance for some or drowning others in the depths of melancholy. Mukesh Chand Mathur alias Zoravar Chand, who sang innumerable songs for legendary Bollywood showman Raj Kapoor, passed away Aug 27, 1976, following a cardiac arrest in Detroit, US, where he had gone for a concert. Raj Kapoor is said to have remarked that "he had lost his soul" in Mukesh's passing away - a testimony to the extremely popular combination of Raj-Mukesh-Shankar Jaikishen (music directors) that produced timeless classics for generations of Hindi film music connoisseurs. Lata Mangeshkar, living legend of Bollywood playback singing and a close friend of Mukesh, cherishes the moments spent with her Mukesh 'Bhaiyya' (elder brother) even today. "'Jaane Kahan Gaye Woh Din' ('Mera Naam Joker', 1970) remains my favourite song of Mukesh bhaiyya (brother)," Lata told IANS. "The reason the song is my favourite is because it perfectly expresses my longing for the yesteryears where singing in films was a totally different thing from what it is today," the 77-year-old Bharat Ratna awardee said. Indeed, the nightingale's yearning is typical as she shared a very close relationship with Mukesh. She accompanied his son Nitin Mukesh when Mukesh's body was brought back to india from Detroit and still remembers the day of the funeral when almost the entire industry turned out to pay tribute to him. "I first met him in 1947 and almost immediately struck a chord. He was much senior to me - both in age as well as profession - and yet he insisted on calling me 'didi' (elder sister)," Lata reminisced. "There was no particular reason for this. Everyone one in my family used to call me didi. So he also took it up. But it's amazing that he never addressed me as 'Lata' till the end," she said. Mukesh, who along with the versatile Mohammad Rafi and the rebellious Kishore Kumar was considered one among the finest and most popular playback singers of Bollywood, has sung some of the most melodious and evergreen duets with Lata. The naughty "Dum Bhar Jo Udhar Munh Phere" ("Awara", 1951), the romantic "Jaane Na Nazar" ("Aah", 1953), the effervescent "Dil Tadap Tadap" ("Madumati", 1958), the gloriously patriotic "Aa Ab Laut Laut Chalein" ("Jis Desh Mein Ganga Behti Hai", 1960) are just a few of the examples one could quote. Born on July 22, 1923, in Delhi, the "man with the golden voice" was first noticed by Motilal - a popular actor of his times and a distant relative of Mukesh - when he sang at his sister's wedding. In the beginning Mukesh was considered more an actor than a singer, thanks to his good looks. Soon he was seen in the 1941 flop "Nirdosh". He got his first break as a playback singer in "Pehli Nazar" (1945) in which he took people by surprise by almost imitating the legendary singer actor K.L. Saigal - who was in the throes of alcoholism by then - in "Dil Jalta Hai To Jalne De" - incidentally picturised on Motilal himself. "Mukesh bhaiyya was as enamoured by Saigal-saab as we all were. But although he began his career singing in the Saigal style, he soon developed his own identity," Lata noted. "Mukesh bhaiyya was also proud of the fact that he had met Saigal-saab once. I know for a fact that he (Mukesh) even had for himself a harmonium used by Saigal-saab," she said. His voice characterised by a slight nasal tone, Mukesh was almost always considered for light and breezy songs, ranging from the happy-go-lucky "Awara Hoon" ("Awara", 1951), the lovelorn "Yeh Mera Deewanapan Hai" ("Yehudi", 1958) or the tramp-like "Kisi Ki Muskurahaton Pe Ho Nissar" ("Anari", 1959) and "Mera Joota Hai Japani" ("Shri 420", 1955). However, when it came to more complex and classically-inclined songs like "Ae Bhai Zara Dekh Ke Chalo" ("Mera Naam Joker", 1970) or a "Dil Ke Jharokhe Mein" ("Brahmachari", 1968), Mohammed Rafi and Manna Dey were always the choice. "The problem is that Mukesh bhaiyya was never tried for complex and classically oriented songs because of stereotyping. It is not that he did not have the capability," Lata observed. "Classical music-wise, the best trained was Manna-da, who was trained under his own uncle - the legendary K.C. Dey. Rafi-saab also was trained classically. But very few recognised Mukesh bhaiyya for his classical background," she said. "I cannot say with full authority. But I feel he (Mukesh) could have sung complex songs too if given a chance because I know he used to do regular riyaaz (practise) along with his son Nitin, under a teacher," she noted. Scores of singers, including son Nitin, tried their luck in the industry by adapting the Mukesh-style of singing but failed to make a mark. "God blesses only a few with the original talent. The others will remain just that - copies. Mr. (Sudesh) Bhonsle succeed to a certain extent in carving a niche for himself, but that's about it," Lata said. But for the purists and the connoisseurs today - confounded by a bewildering array of remixes of old classics - nothing less than the original refrains of Mukesh would do. As Lata said, one can only remember Mukesh and recall his "Jane Kahan Gaye Woh Din" (Where have those days gone?). |
____________ "I am a dreamer,I collect all the smiles from My yesterday,
Neatly pack them into words and hide them in my heart,
I call them "MEMORIES" Music has no boundary.
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#27 07 Mar 2007 10:51
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king12
Joined: January 2007
Posts: 1035
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Re: Mukesh Chand Mathur
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''Singing is a beautiful hobby, but a painful profession"—Mukesh
Article by Lata Khubchandani The date: August 27. The place: Detroit, USA. Mukesh Chand Mathur, or simply Mukesh --as he was known to millions of fans -- breathed his last on this day in 1976. At that time, Mukesh was touring the US with Lata Mangeshkar and others, giving stage performances. One of 11 children, Mukesh was fond of music right from his childhood. He was discovered by actor Motilal who heard him sing at his sister's baraat. Impressed by the young Mukesh's voice, Motilal invited him to Bombay. That was in 1940. Motilal looked after the young boy while Mukesh trained under Pt Jagannath Prasad. He started his career with Nirdosh in 1941 in which he sang and acted. But it was in 1945 that the audience sat up and took note of him-- when he sang Dil jalta hai to jalne de in Pehli Nazar. Mukesh, who worshipped K L Saigal, near perfect take-off on his idol with this song. There was no looking back after that. The pathos in his voice was eminently suitable for the tragic films which the Indian audience simply loved in those days. In 1948, Naushad Ali got Mukesh to sing Bhoolne wale yaad na aa, in 1949 the same music composer gave him Tu kahe agar, Jhoom jhoom ke naacho aaj, Tute na dil toote na, Hum aaj kahin dil kho baithe for the Dilip Kumar starrer Andaz. The film was a big hit and Mukesh came to be identified with Kumar, though he had sung for Raj Kapoor in 1948 in Aag. The Raj Kapoor-Mukesh team later created celluloid history as the two became synonymous with each other. From 1949 onwards, the duo gave us memorable songs such as Chhod gaye baalam, Zinda hoon is tarah, Awara hoon, Raat andheri door savera, Mera naam Raju, Mera joota hai japani. The songs from Mera Naam Joker are also among the all-time favourites of Hindi cinema. Mukesh was often described as a singer whose range was limited to melancholic numbers. But what one often tends to overlook is the fact that he was equally adept at singing bhajans. Pita maat sahayak, Sur ki gati main kya janoo or Tulsidas's Ramcharitmanas are examples of his virtuosity. In 1946 he met and married a Gujarati girl named Bachchi. Since he was a Mathur Kayasth, there was stiff opposition from her family forcing them to elope. It was Motilal who gave away the bride. Around the same time, Mukesh's career also reached its peak. Above all, he was a good human being, always concerned for others, always willing to help newcomers, often singing without any fee when the composer couldn't afford him. When he saw that his son Nitin was inclined towards music, he encouraged him. But he also had a word of caution: 'singing is a beautiful hobby, but a painful profession,' Mukesh told him. He had seen the heartache, the pain, the difficulties and sometimes rejection and knew that it required a kind of dedication that young people may not have. Says Nitin, "I don't claim to have the sort of dedication that he had. He would wake up at 5 in the morning -- even if he had gone to bed just 15 minutes earlier -- and do his riyaz for a couple of hours. Then he'd go for a walk to Hanging Gardens. I think he had befriended every flower in the garden." Mukesh arrived in the golden era of music. There were songwriters like Shailendra, Kaifi Azmi, Majrooh Sultanpuri, Shakeel Badayuni, composers like Naushad, Khayyam, S D Burman, singers like Mohammad Rafi, Talat Mahmood, Manna Dey. According to Nitin, Mukesh loved Lata and Geeta Dutt. There were times he started crying when he heard Lata sing. Initially, he used to call her by her name but later he started calling her 'didi.' "When she protested saying he was older, Mukesh replied, 'we all look up to you because of your art and I want everyone to call you 'didi'. He also adored Rafisaab and Kishore Kumar. He was never one to hold back praise for anyone," says the proud son. Mukesh received the Filmfare award four times -- for Sab kuch seekha humne (Anari), Gangaram ki samajh mein na aaye (Pehchan), Jai bolo beimaan (Beimaan) and Kabhi kabhi (Kabhi Kabhi) -- the last being in 1976, the year he passed away. He had also received the National award the year before. Nitin recalls his father's generosity. "When we went on tours," says Nitin, "We used to be put up in the best hotels while the accompanying musicians were put up in the less expensive ones. He said since the organisers couldn't put up everyone in expensive suites, it would be easier for us to shift to their hotel. So we used to go and stay with the musicians. He taught us discipline by being disciplined himself." There were times when Mukesh faced financial adversities, but he never let it affect his children. Nitin narrates an incident. "When I went to college, all my friends had a car, so I wanted a car too. I told my mother and she told papa. He immediately gave me the keys of his own Fiat," he recalls. Nitin was thrilled about it and used the car for some days, before realising that his father was travelling by bus. "I was upset and told him 'why don't you buy a new car?' And he said, 'I can't afford two cars, and you must have a car, so you use this.' When I protested, he told me 'I'd like you to have a car when you can afford one.' After that the car didn't matter to me," states Nitin. Mukesh himself wasn't highly educated, so he was keen that his children got good degrees. He sent Nitin to the London School of Economics, but he returned after a while. "When I came back, I must have shattered his dreams and caused him embarrassment, but all he said was, 'yes, I know you want to sing and now I'm sure you'll take it seriously,' " says Nitin. He was with his father on the tour to the US when Mukesh passed away. "He had a heart problem, but was cheerful throughout the tour. I remember it was raksha bandhan day, we were in Washington and he sent me off to sightsee while he secretly went to visit a doctor. I did not know this, but he needed a bypass surgery. But he had a commitment to the organisers of the tour and took the doctor's permission to sing for this tour," recounts Nitin. Mukesh asked his son to sing on this tour. Once, after Nitin got a thunderous ovation, there were tears streaming down his face. He told Lata Mangeshkar, "Mujhe lagta hai ki Nitin dal roti kama lega" (I think Nitin will be able to earn his bread and butter). Says Nitin, "On August 26, we reached Detroit. The next day, we had a show. He got up early and went for a shower but came out panting. I called Lataji and an ambulance took him to the hospital. He was wheeled into the emergency ward and that was the last time I saw him. I brought him back to India on August 30 on the same plane in which he was booked as a passenger."
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____________ Katra katra milthii hain, katra katra jeene do,
zindagi hain, behne do, pyaasi hoon main pyasi rehne do
from the movie Ijaazat.
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#28 29 Jun 2007 18:52
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squarecut
Joined: April 2008
Posts: 11
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Re: Mukesh Chand Mathur
Mukesh became quite well known after his songs of Andaz. His song " Tu kahe agar" is regarded as his best song from this movie. But there was another song that was not included in the movie and so this song failed to appear in records. But this song " kyun pheri nazar" to my mind would have become the biggest hit of the movie if only it had been included in the movie.
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#29 05 Apr 2008 08:50
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