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End Of A Glorious Innings [Download Topic]
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Post End Of A Glorious Innings 
 
The Images


February 11, 2007
 
 
End of a glorious innings

By Omair Alavi

 


M. Ashraf won 13 Nigar Awards and 14 Graduate Awards as music director for various Urdu and Punjabi films during his illustrious career. He had the distinction of working with film directors such as S. Suleman, Nazrul Islam, M. Javed Fazil, Pervez Malik, Shamim Ara, Iqbal Akhtar, Jan Mohammad and Hasan Askari

The sudden and tragic demise of M. Ashraf on February 4, 2007 brought an end to an era of great music compositions. The 65-year-old musician entertained music lovers with his matchless tunes for 45 years and died of cardiac arrest, leaving behind countless fans to mourn the loss.

From Sangdil, Nadeem’s first musical hit in the then East Pakistan in 1968 to Babar Ali’s record-breaking debut, Munda Bigri Jaye in 1995, M. Ashraf had the distinction of creating the highest number of successful tunes in Pakistan, easily matching that of his contemporaries, Nisar Bazmi and Robin Ghosh.

He was born in Lahore inside Bhatti Gate in 1942 and belonged to a well-known family of musicians. His maternal uncles, Akhtar Hussain Sakhian and Master Anayat Hussain, were successful musicians of their time and it was under their tutelage that he began his career in 1961, as part of the dynamic duo of Manzoor-Ashraf.

The duo helped Ahmed Rushdi win his first two Nigar Awards with the song, Chaand Sa Mukhra Gora Badan, from their film Saperan in 1961, and Gol Gappay Wala from Mehtaab in 1962. Although they composed many hits such as Aaina (1966), Insaniyat (1967) and Mera Ghar Meri Jannat (1968), they split up, with M. Ashraf going solo with Sangdil (1968) and Manzoor’s career coming to a halt due to his involvement in the murder of actress Niggo in 1971.

Sangdil completed its golden jubilee and Nadeem became a star with Ahmed Rushdi’s Sun Le O Jaan-i-Wafa, making Ashraf a force to reckon with. In the ’60s his success continued, reaching a pinnacle in the ’70s when he won three Nigar Awards in four years — for Gharana (1973), Mera Naam Hai Mohabbat (1975) and Shabana (1976). Qurbani (1981) got him his last award for an Urdu film and although he continued to churn out brilliant songs with movies like Tarana, Dosti, Meherbani, Kamyabi, Faisla and Ustaadon Kay Ustaad, he was always looked over when it came to an award.

His worth can be judged by the fact that in 1975 alone he composed hit numbers for films such as Farz Aur Mamta, Mohabbat Zindagi Hai, Anari, Mera Naam Hai Mohabbat, Jab Jab Phool Khile and Naukar.

Ashraf won 13 Nigar Awards and 14 Graduate Awards as music director for various Urdu and Punjabi films during his illustrious career. He had the distinction of working with film directors such as S. Suleman, Nazrul Islam, M. Javed Fazil, Pervez Malik, Shamim Ara, Iqbal Akhtar, Jan Mohammad and Hasan Askari. And banking on his music, they all tasted success.

He composed songs for three generations of superstars — from Habib and Santosh Kumar to Nadeem, Mohammad Ali and Waheed Murad and finally for Shaan, Babar Ali and Afzal Khan giving opportunities to the finest playback singers to sing to the best of their abilities. These included Ahmed Rushdi, Mehdi Hassan, Madam Noor Jehan, Mala, Runa Laila, Nayyara Noor, Naheed Akhtar, Naheed Niazi, Irene Perveen, Naseem Begum, Saleem Raza, Masood Rana, Rubina Badar, Mehnaz, Ikhlaq Ahmed, A. Nayyar, Asad Amaanat Ali Khan, Tehseen Javed, Ghulam Abbas, Anwar Rafi, Nadeem, Rangeela and Indian starlets Sonu Nigam, Shaan, Saadhna Sargam and Shreya Ghosal. M. Ashraf’s musical journey ended with Tere Bin Jiya Na Jaye (2005).

With over 400 Urdu and Punjabi films to favour his case as a seasoned musician, M. Ashraf left the world at a time when he was needed the most. In his early days, he copied many Indian songs from across the border with his film, Nazneen, having the most copied versions, but in the latter part of his career, mostly from 1970-1990, he was the lone champion of quality Urdu songs with Kamyabi, Mehrbani and Faisla releasing in the ’80s and being copied across the border.

After his son, M. Arshad, (Bulandi, Bandit Queen, Jeeva, Raja Sahib, Dopatta Jal Raha Hai, Dil To Pagal Hai, Salakhein) emerged as a formidable musician, Ashraf composed music whenever his heart desired. He helped launch Imran Malik, son of Ashraf’s favourite director, Pervez Malik, by composing songs for his film, Tere Bin Jiya Na Jaye.

With Mohammad Javed Fazil making a comeback in films after a decade, Ashraf’s presence would have done wonders. He left this world two years after Amjad Bobby, his most formidable contemporary of the ’80s, and the absence of both these giants has left the genre of film music all the more poor.
 


Some of M. Ashraf’s most memorable songs

O Sun Lay O Jaan-e-Wafa Sangdil Ahmed Rushdi

O Mere Shoukh Sanam Sangdil Masood Rana

Teri Mehfil Se Yeh Deewana Dard Mehdi Hassan

Yeh Mana Kay Tum Nazneen Masood Rana

Jab Koi Pyar Se Bulayega Zindagi Kitni Haseen Hai Mehdi Hassan

Mera Mehboob Aagaya Neend Hamari Khwaab Tumhare Masood Rana

Tu Jahan Kahin Bhy Jaye Insaan Aur Aadmi Mehdi Hassan, Madam Noor Jehan

Mujh Sa Tujhko Chahnahy Wala Yaaden Rajab Ali, Madam Noor Jehan

Is Parcham Kay Saaye Talay Farz Aur Maamta Nayyara Noor

Alif Se Achy Khamosh Nigahen Ahmed Rushdi

Hamare Dil Se Mat Khelo Daman Aur Chingari Mehdi Hassan

Mera Babu Chail Chabeela Mann Ki Jeet Roona Laila

Dinva Dinva Main Ginoon Mann Ki Jeet Roona Laila

Bajao Bajao Mere Sang Taali Do Badan Nayyara Noor, Nadeem,

Ahmed Rushdi

Dil Ko Jalana Hum Ne Chor Dia Mohabbat Zindagi Hai Ahmed Rushdi

Tu Tu Ru Tu Ru Tara Tara Mohabbat Zindagi Hai Naheed Akhtar

Hamari Saanson Main Aaj Tak Mere Huzoor Mehdi Hassan, Madam Noor Jehan

Main Jis Din Bhula Doon Khushboo Mehdi Hassan, Mehnaz

Kisi Meherbaan Ne Aa Kay Shama Naheed Akhtar

O Humdum O Saathi Saathi A. Nayyar, Rajab Ali

Tera Saaya Jahan Bhy Ho Sajna Gharana Nayyara Noor

Yeh Duniya Rahay Na Rahay Mera Naam Hai Mohabbat Mehdi Hassan

Abhi To Main Jawaan Hoon Abhi To Main Jawaan Hoon Madam Noor Jehan

Bewafa Kon Hai Shabana Mehdi Hassan

Tu Husn Ki Devi Hai Kubra Aashiq Mehdi Hassan

Tera Mera Koi Na Koi Naata Hai Playboy Mehdi Hassan, Madam Noor Jehan

Hamain Gham Mila Hamesha Mehmaan Naheed Akhtar

Jungle Main Mangal Zindagi A. Nayyar, Mehnaz

Loota Qarar Mere Man Ka Nadaani Ikhlaq Ahmed

Meri Wafa Mere Waday Pay Beqarar Anwar Rafi

Hum Ko Kis Ke Gham Ne Maara Basera Ikhlaq Ahmed

Amma Dekh Munda Bigri Jaye Saleem Danish







____________
"I am a dreamer,I collect all the smiles from My yesterday,
Neatly pack them into words and hide them in my heart,
I call them "MEMORIES" Music has no boundary.
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Post Re: End Of A Glorious Innings 
 
A tribute to music director M. Ashraf

End of a glorious career of 45 years and lot of super hit film songs...

M. Ashraf

Pakistan's top music director M. Ashraf passed away on February 4, 2007. He composed large number of super hit songs in his 45 years long film career and was one of few music director's in the country who were popular and busy in both Urdu and Punjabi films.

M. Ashraf introduced..
Naheed Akhtar
in
film Nanha Farisha (1974)
Nayyara Noor in
Gharana (1973)
Rajab Ali in Yaden (1971)
Asad Amanat Ali Khan in
Saheli (1978)
Anwar Rafi in
Tere Ghar ke samne (1984)
Saira Naseem in
??

He started his film career with his mate Manzoor (film Svera song "tu jo nahin hay to kuchh bhi nahin hay... by S.B.John fame) in film Speran (1961) and composed music with him for Mehtab, Tees Maar Khan, Bharjai, Doli, Maa ke Aansoo, Kon kisi ka, Aina, Insaniyat, Mera Ghar meri jannat, Be-qasoor, Lachhi etc.


After separation from Manzoor his first film as M. Ashraf was Shola aur Shabnam in 1967. Other remarkable musical films in the 60s were
Sangdil, Nazneen, Dard, Dhee Rani, Najo, Fasana-e-dil, Tumhi ho mehboob mere, Yamla Jatt etc.


In the 70s he reached the peak of his career and composed music for many big films as
Insaan aur Admi, Duniya matlab di, Anjan, Be-qasoor, Neend hamari khwab tumhare, Chiragh kahan roshni kahan, Khamosh Nigahen, Insaf aur Qanoon, Yaden, Afsana zindgi ka, Do Pattar Anaran de, Mann ki jeet, Kubra Aashiq, Daaman aur Chingari, Gharana, Pardey mein rehney do, Rangeela aur Munawar Zarif, Do badan, Shama, Arzoo, Mohabbat zindgi hay, Farz aur Mamta, Anari, Jab jab Phool khiley, Mera naam hay mohabbat, Noukar, Shabana, Uff yeh Bivian, Shama-e-mohabbat, Mere hazoor, Susral, Abshar, Nazrana, Zindgi, Playboy, Raja ki aye gi baraat, Abhi to main jawan hun, Pakeeza, Aag etc.
In the 80s he composed films as Nachey Nagin, Dulari, Allah Ditta, Mafroor, Nageena, Mard, Nigahen, Aroosa, Paidagir .


Centaury partnerships
M. Ashraf not only composed hundreds of songs for
Madam Noor Jehan but he also created an unique record with "centaury partnerships" with Pakistan's three greatest male singers - Mehdi Hassan, Ahmad Rushdi and Masood Rana, read the detailed songographies:

»
M. Ashraf & Mehdi Hassan (124 film songs)
»
M. Ashraf & Ahmad Rushdi (132 film songs)
»
M. Ashraf & Masood Rana (114 film songs)







____________
"I am a dreamer,I collect all the smiles from My yesterday,
Neatly pack them into words and hide them in my heart,
I call them "MEMORIES" Music has no boundary.
Offline View user's profile Send private message Visit poster's website
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