Home
Home • Forum • Rules • Register • Search • FAQ • Live RadioRadio • Log in
Post new topic Reply to topic Thank Post Page 1 of 1
Remix phobia [Download Topic]
Author Message

Reply with quote Download Post
Post Remix phobia 
 
God’s award is remixes!
 
 
Hooked to reality TV and remixes of her songs 40 years after she first sang them, legendary singer Shamshad Begum is delighted with life at 89
 
SHE’S hooked on to youngsters crooning her songs made unrecognisable on reality TV, but she has no angst for the past. Shamshad Begum at 89 is as good a sport as she was as the little girl of 16, who began her career before even radio was invented! “Over 60 per cent of my songs have been remixed. That’s what I read somewhere recently,” she smiles unguardedly. “What fun, I retired more than 20 years ago. These songs I sang 20 years before I retired. Imagine that! If they are still being sung today, see how popular they must be,” she says excitedly. “I like that boy — Shankar Mahadevan. But I sang ‘breathlessly’ long before he did,” she smiles.
 
Begum has watched the industry start and grow from pre-Partition, with the Jenaphone Gramophone Company. “I look at how all these people look, so smart. I never bothered about how I looked because I was never the one facing the camera,” she says. “Today, playback singers are as much on TV as the actors.” Is that why she never allowed herself to be photographed? “I was a Muslim girl from Lahore. It was bad enough that I was going out of the house to work at all,” she explains. She had the support of her chacha, “to have been photographed would have added insult to injury, so I never allowed it,” she says.

 
“Then Partition happened when I was in Mumbai, and I never saw my family again. So I maintained it as a mark of respect for my father.” She adds, “I wanted to work, and I wouldn’t let anyone stop me. It is important for young girls to be independent, to have their own dreams,” she adds gently. “I didn’t rebel, argue or fight, but in return I kept my head in my work.”
 
She attributes her entire life and career to the grace of God. “Every time circumstance threw an obstacle in my path, God created a way around it for me. When the gramophone business was not profitable, the radio was invented. Because of the radio, my voice reached people who gave me my opportunities.” She has seen the best of the rest come and go.

 
“Once this boy in the orchestra sat near my feet and was telling me how depressed he was. His older brother was accomplished, and he was worried he would never be anybody. I told him ‘You will be greater than all of them put together’. I did not rem e m b e r this,” she s m i l e s . “But Kishore Kumar came back to me when he was famous, and told me ‘You may have forgotten, but I never did’,” she says. Similarly, Madan Mohan was in the orchestra, she recollects, “but after he became a music director, he expected me to salaam him, which I wouldn’t do. So he never gave me work.”

 
She recollects Raj Kapoor’s debut. “Someone introduced him saying ‘This is Prithviraj Kapoor’s son.’ So I met him. He said he wanted to do his first film and could I sing. Those days, I was recording back to back, so I told him, come to my house in my lunch break. Everyday at lunch, Raj Kapoor would come with Shankar (of Jaikishen fame), on the tabla and Ram Ganguly, the music director. ”
 
 
Never having received an award doesn’t hurt her, but it does to those who love her, like doting daughter Usha Ratra. Shamshad Begum concludes, “I have never asked anyone but God for anything. why would I ask mere mortals for anything? I did what I had to, they did what they had to. I have no patience for lobbies. His award is that children are singing my remixes 40 years later!”
 
Shamshad Begum






____________
Music forms a part of me again It gives Shape to my faceless Expressions...To my Thoughts. {Alochana}
Offline View user's profile Send private message

Reply with quote Download Post
Post Re: Remix phobia 
 
iconimg November 4, 2006
Rachana Dubey, Hindustan Times
Mumbai, September 02, 2008

 

Kishore Kumar’s son, Sumeet Kumar, is being seen, heard and quizzed by Rachana Dubey.


Happy with the reactions to the Bachna Ae Haseeno title track?
Thrilled. It's my first playback, I couldn't have asked for a better debut. I felt as if I was singing with baba. (Wistfully) I was only five when he passed away. I've always regretted that I never got an opportunity to yodel with him.


Apparently, you had recommended Amit Kumar to Vishal-Shekhar for the song?
Yeah, when we met for the first time I told them that I'm not a great singer. (Laughs) They listened to me with a straight face and then insisted they wanted me for the song.


Have you ever faced criticism?
In Kolkata, people are fanatical about Kishore Kumar, Asha Bhosle and Panchamda. Some time ago, one of baba's die-hard fans thought that I was a mischievous remix artiste. He called home and complained to my brother that some boy was playing around with Kishoreda's song. My brother explained the rationale behind the remixed song and he was appeased.


So, will you be doing more playback?
I'm 26, by now most singers my age have already made their mark.


But you started early?
I was 18 when I started working on ad jingles. I did the campaigns for Lead India, Aviva, the Coke ads in Pakistan, Tata AIG, Vatika, Barkley and Tata Tea.. phew! But I've never projected myself as a singer. What I did in Bachna.. was no different from what Abhishek Bachchan did with the Bluffmaster title track.


I've worked on the technical side, done visual editing briefly. I was a confused kid in college. (Grins) I get bored easily. Dada (Amit Kumar) says that I should get more serious about my career. But frankly, I don't plot and plan. I'm a mast maula. I've never gone out and sold myself.


You don't want to carry your father's legacy forward?
Dada and I will carry his legacy forward. We're working on a biopic.


Apparently Shoojit Sarkar who was directing it, is no longer associated with the project?
Shoojit is a friend. We've worked on several ad films together. He was the one who approached me to make this film. He met the family too.


Why did it take the family 21 years to give the go-ahead to a biopic?
No one approached us before. I think my father deserved more respect from the film fraternity. He was to Hindi cinema what Charlie Chaplin is to Hollywood, maybe more.


Do you get the royalties for his songs?
(Sighs) We'll have to wait a very long for that. Singers are treated as vocal instruments. Music composers get paid huge amounts but singers are still underpaid.






____________
Music forms a part of me again It gives Shape to my faceless Expressions...To my Thoughts. {Alochana}
Offline View user's profile Send private message

Reply with quote Download Post
Post Re: Remix phobia 
 
By indiaabroad
Monday Jan 28
New Delhi,
 (IANS)
 

Popular Hindi film songs are never forgotten; they are recycled. Remixes have given a new life to many numbers and now film titles are inspired by them.
 
 
Creative borrowing is the name of the game in Bollywood. Stories and music compositions are often lifted from the West, but there are some filmmakers who are fascinated with popular Hindi songs and use them in their movie titles.
 

Aditya Chopra should take the cake for popularising the trend with his directorial debut 'Dilwale Dulhania Le Jayenge' (DDLJ). The title of the puppy love story was taken from the popular song 'Le jayenge, le jayenge, dilwale dulhania le jayenge' from the 1974 movie 'Chor Machaye Shor'.
 

DDLJ was a phenomenal hit and it made Shah Rukh Khan a superstar. It has been running in Mumbai's Maratha Mandir theatre for the last 12 years.
 

Some of the recent titles are a constant reminder of the old tunes, which caught the audience's fancy and are still hummable. It also confirms filmmakers' fascination for old songs.
 

For instance, Siddharth Anand's release 'Ta Ra Rum Pum Pum' last year is from the chartbuster 'Uthe sab ke kadam, dekho rum pum, aji aise geet gaya karo... Kabhi khushi, kabhi gum, Ta ra rum pum pum, haso aur hasaya karo' from Basu Chatterjee's 'Baton Baton Mein'.
 

However, Anand's film, produced under the Yash Raj Films banner, couldn't replicate the success of that song.
 

The title of Karan Johar's family drama 'Kabhi Khushi Kabhie Gham' is also inspired by the same song.
 

Another Yash Raj Film title 'Jhoom Barabar Jhoom', which was Shaad Ali's second directorial venture, was taken from the famous qawwali 'Jhoom barabar jhoom sharabi' by Aziz Nazan.
 

Earlier, the same banner gave us 'Mere Yaar Ki Shaadi Hai' (2002), with the title based on the popular old song 'Aaj mere yaar ki shaadi hai' from the Shatrughan Sinha-starrer 'Aadmi Sadak Ka'. The song from the 1977 film is still played in marriages although the 2002 film starring Uday Chopra and Tulip Joshi has since been forgotten.
 

Rani Mukerji's 'Laaga Chunari Mein Daag', a tale of a fallen woman, is again a Yash Raj production and its title is borrowed from the classic number, 'Laga chunari mein daag chhupaaun kaise', from the Nutan-Raj Kapoor starrer 'Dil Hi To Hai'.
 

The title of Rani's 2003 romantic hit 'Chalte Chalte' was inspired by Kishore Kumar'S*** number 'Chalte chalte mere ye geet yaad rakhna, kabhi alvida na kahena'. The song also inspired the title of Karan Johar's damp squib about extra-marital affair: 'Kabhi Alvida Naa Kehna'.
 

'khoya Khoya Chand', the title of the latest from Sudhir Mishra, is taken from the melodious number 'Khoya khoya chand, khula aasmaan' memorably picturised on Dev Anand and Waheeda Rehman in 'Kala Bazar'.
 

The title of E. Niwas' comeback movie 'My Name Is Anthony Gonsalves' is, of course, from the hit song from 'Amar Akbar Anthony' starring Amitabh Bachchan.
 

The title of Rakeysh Omprakash Mehra's 'Rang De Basanti' was taken from the popular patriotic song 'Mera rang de basanti chola' from the movie 'Shaheed' and Shriram Raghavan's 'Ek Hasina Thi' was picked up from Subhash Ghai's super-duper hit 'Karz' and it was the climax song of the movie.
 

Interestingly, Sai Paranjpe'S*** comedy 'Chashme Buddoor' is titled after the song 'Teri pyaari pyaari surat ko kisi ki nazar na lage, chashme baddoor' from the movie 'Sasural'.
 

Some other film titles inspired by songs are 'Jhooth Bole Kauwa Kaate', 'Hum Hain Rahi Pyaar Ke', 'Ab Tumhare Hawale Watan Sathiyo' and 'Saat Rang Ke Sapane'.

The trend is here to stay as the titles of some forthcoming movies like 'Chal Chala Chal', 'Jaane Tu Ya Jaane Na', 'De Taali', 'Allah Ke Bande' and 'Hal-e-Dil' too are inspired by popular songs
 
 

 






____________
Music forms a part of me again It gives Shape to my faceless Expressions...To my Thoughts. {Alochana}
Offline View user's profile Send private message
Display posts from previous:
Post new topic Reply to topic Thank Post  Page 1 of 1

Users browsing this topic: 0 Registered, 0 Hidden and 1 Guest
Registered Users: None