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Talat Aziz Multi-faceted [Download Topic]
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Post Talat Aziz Multi-faceted 
 

Date:21/01/2008
K. PRADEEP
 
‘Ghazals are dying’

Talat Aziz is sore that TV does not give adequate space for true art forms

Photo H. Vibhu

Multi-faceted Talat Aziz
 

Talat Aziz may not be a listener’s delight, at least when he talks. He is not the kind who can reel off sugar-coated answers, clothed in subtle or coarse humour.
 

He is one who speaks his mind and is quite firm in his beliefs. There are so many things that make Talat bitter, like overemphasis on films, the quality of film songs and the mindless submission to television. But perhaps what worries him most is the state of ghazals today.

 

Focus shift

“Ghazals are dying. When I say this I’m conscious that this is the fate of most art forms, except perhaps films and television. Even the media, I have often felt, has shifted its focus to very trivial aspects. Very few provide adequate space for true art forms. Moreover, I don’t find youngsters taking up ghazals seriously. The ultimate aim of an aspiring singer is to find a place in films,” feels Talat.

 

Youngsters cannot be blamed completely for this. There is no proper atmosphere to flourish.

 

“I went through regular training in Hindustani classical before taking up ghazals. Then there was this stint with Mehdi Hassan saab. So by the time you are on your own you have built a certain amount of confidence. There was demand for good, pure music. Singers of our generation built up a repertory which stood us in good stead. Now, the goals of these youngsters are short. Instant recognition is what they want.”

 

Talat places utmost importance to the poetry in a ghazal. “The tune and everything else should fuse with the meaning and mood of the poetry. Improvisation and portrayal of the varied moods of the lyrics is what makes a ghazal. It is often believed that lack of quality Urdu poetry has resulted in the degeneration of the ghazal form. This is not true for even now we have some excellent Urdu poetry. In fact, my latest project is an album on Urdu poetry.”

 

One who has always shown the guts to experiment, Talat has had a finger in television, theatre and films, as actor, composer and singer.

 

“Dynamic Fusion (a fusion with Louis Banks, Rashid Khan and Sonya Sehgal) was one such experiment. I have worked with Farookh Sheikh in a stage production on Mirza Ghalib’s poems. I rendered the poems. Acting was during the early phase of my career, no more acting anymore.”

 







____________
"I am a dreamer,I collect all the smiles from My yesterday,
Neatly pack them into words and hide them in my heart,
I call them "MEMORIES" Music has no boundary.
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____________
Music forms a part of me again It gives Shape to my faceless Expressions...To my Thoughts. {Alochana}
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Arab news
 
 

Ghazal maestro Talat Aziz to perform in Riyadh

 

By RIYADH: GHAZANFAR ALI KHAN, ARAB NEWS STAFF

India's renowned Ghazal maestro Talat Aziz and his troupe will perform at a musical concert organized by the Indian Embassy at the International Indian School, Riyadh (Boys Section), on Tuesday.

 

"This musical program, the first of its kind in which a living legend like Aziz will enthrall the audience, is open to Indian nationals only," said embassy spokesman Surinder Bhagat yesterday.

 

Bhagat urged those who have applied for entry passes to collect them from the embassy if their names appear on the guest list published on the embassy's website (www.indianembassy.org.sa).

 

They can collect their entry cards today from 10 a.m. to 5 p.m., informed Bhagat, adding huge crowds are expected to attend the event and hear the celebrated ghazal and playback singer of India.

 

Bhagat said Aziz started his journey some 30 years back. He took his initial training in music from Kirana Gharana and was trained by stalwarts like Ustad Samad Khan and later by Ustad Fayaz Ahmed, who were famous classical music singers of Asia. After his initial training, Aziz learnt music from maestro Mehdi Hassan and shared the stage with him on many occasions.

 

Aziz has composed music for TV serials and also acted in several TV programs. He is credited with singing ghazals in films like “Umrao Jaan” and “Bazaar”, which were super-hits. Aziz has been performing in concerts all over the world and has mesmerized the audience with his melodious voice through the years. Aziz, whose versatility is evident from the sufi number "Damadam Mast Kalandar," has many albums to his credit.

 

Between 1979 and 1984, Aziz was the top artist recording for Music India Company. In 1984, he joined HMV. He also worked with Venus Records for a brief period and then released albums with Universal Music India. His popular film songs are "Zindagi Jab Bhi Teri Bazm Mein" from Umrao Jaan; "Phir Chhidi Raat Baat Phoolon Ki" in Bazaar; "Aaina Mujhse Meri" in “Daddy” and "Na Kisi Ki Aankh Ka," in “Shararat.”

 







____________
Music forms a part of me again It gives Shape to my faceless Expressions...To my Thoughts. {Alochana}
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